![[ARP 2600 VCO-2]](images/2600.jpeg) ARP Instruments, Inc. existed from 1969 to 1981 and produced some of
  the most wonderfully musical synthesizers ever.  I've always loved
  these instruments, they were clearly built by some very talented and
  clever folks.
  ARP Instruments, Inc. existed from 1969 to 1981 and produced some of
  the most wonderfully musical synthesizers ever.  I've always loved
  these instruments, they were clearly built by some very talented and
  clever folks. 
  
  This is a page of resources and articles on ARP Synthesizers. 
  I'm also including resources for the ARP/Rhodes Chroma, the
  synthesizer ARP was working on as the company went out of business;
  they sold the design to Fender/Rhodes, who put it into production.
  
  This collection is not meant to be complete -- only select
  technical, historical, and practical resources with closest
  historical accuracy are included.  (Suggestions are welcome, of
  course.)
  
  
    
      - 
	ARP Web Resources
- 
	Below, a collection of ARP technical, historical and
	support resources on the web.
	
- 
	ARP Articles
- 
	Below, a bibliography of ARP articles.
	
- 
	ARP Patents
- 
	Reviews of all the patents I could find associated with
	ARP Instruments, Inc.
        
- 
	
	  Upgrading the Rhodes Chroma Power Supply
- 
	The "Nuclear Powered Chroma", my adventures replacing a
	Rhodes Chroma power supply with a modern switching unit.
        
- 
	Rhodes Chroma Pedalboard
- 
	A nice pedal arrangement for the ARP/Rhodes Chroma.
        
 
  
  
  The ARP Synthesizer-A New Instrument for Musical Composition and
  Performance
  David Friend
  Preprint 742, 39th AES Convention October 12-15 1970
  (Copies are available from the
  Audio Engineering Society
  for a minimal fee.)
  
  A description of some of the philosophy and features of the ARP
  2500, including extra-stable wide-range oscillators, matrix
  switches replacing patch cords, three-note split keyboards (2-note
  main + 1-note bass), multiple function modules (including an
  entire synth voice in a module). 
  
 
  
  
  An Integrated Guitar Synthesizer for Live Performance
  David Friend
  Preprint 1289, 58th CAES Convention, November 4-7, 1977
  (Copies are available from the
  Audio Engineering Society
  for a minimal fee.)
  
  A block level description of the ARP Avator with a number of
  interesting features.  The instrument is monophonic, but they
  use a hex-pickup.  The hex pickup allows for the hex-fuzz sound
  of course, but it also enables more accurate pitch detection as a 
  multiplex circuit selects only the most recently played string and
  noises on other strings do not interfere.  Also, the pitch
  detection circuit goes through a variable speed shift register to
  get extra-accurate conversion at the initial note transient, but
  adds a delay as the note progresses to ignore the change in pitch
  as the finger and string leave the fret.
  
 
  
  
  The Electrical Design and Musical Applications of an
  Unconditionally Stable Combination Voltage Controlled Highpass,
  Bandpass, Lowpass, Band Reject Filter/Resonator
  Dennis Colin
  Preprint 786, 40th 
  Audio Engineering Society
  Convention, April 27-30 1971
  Journal of the 
  Audio Engineering Society
  Volume 19, Number 11, December 1971
  
    
  An analysis and block diagram for the ARP 1047 VCF module on the
  ARP2500.  This is a basic biquad filter with some nice
  features and presented as an alternative to the Moog filter. 
  Unfortunately schematic details of the voltage controlled stages
  are not included.
  
  LP, HP, BP and BR outputs are all available simulatenously. 
  There is a potentiometer on the notch output to tune the zero
  above or below the pole, altering the shape of the resonse curve
  greatly.  The Q is voltage controllable.  Switch
  selectable input gain for either a unity gain pass band or a unity
  gain peak.  A keyboard gate input with a second Q control to
  set two separate Q's; one for for key up and one for key
  down.   Pretty featureful.
  
 
  
  
  
    The Rise and Fall of ARP Instruments
  Craig R. Waters, 
  Keyboard Magazine, 
  April 1983
  based on the article in 
  Inc. Magazine, 
  November 1982
  and reprinted in Vintage Synthesizers by Mark Vail.
  
  Great historical account.
  
 
    
  
  
    Rhodes Chroma: They Synth that Survived ARP's Fall
  Mark Vail, 
  Keyboard Magazine, 
  October 1993
  and reprinted in Vintage Synthesizers by Mark Vail.
  
  An interview with Phil Dodds about the Rhodes Chroma, including a
  lot of insights about the design.