Don Tillman's Various Things
VP of Engineering and Audio Technology, LifeScore Music
A substantial career in software engineering from microcode to AI to web technologies. User interface, product design, scientific and data visualization, control system theory, with connections to math, physics, and business.
Plus electrical engineering, digital electronics, digital signal processing, analog circuit design, audio circuitry, electronic music and synthesis.
Apple, Texas Instruments, Symbolics Lisp Machines, Netscape, Marimba, Riverbed Technologies, and a bunch of startups.
’Want to do something different? Over the last decade or so I've put myself in a mindset where, when confronted with an everyday problem or frustration, I pause to consider the opportunities for a marketable solution or business possibility.
This actually happens a lot. So I try to keep an active list of them here.
Autonomous intelligent traffic signals have the potential to significantly reduce traffic congestion, fuel consumption, and exhaust emissions. Here are the details.
The music industry doesn't really have a business model right now. Here is how record companies can actually win big over the next couple decades.
I wrote this a long time ago, and it's a little long winded, but the result is still applicable.
Electronics, Physics, and Math Articles
A novel mathematical approximation to the sine function. One that is especially easy to implement in analog eletronics.
A new article describes the mechanism behind Moore's Law.
Weirdly enough, silicon is not really involved.
It is common practice in Systems Theory to take a filter function with a number of poles on the real axis, apply feedback, and the poles move from their original positions, and can jump off the axis into the complex plane. This is described with root locus analysis. I call it pole dancing.
Square Waves may appear uninteresting at first... A closer examination reveals the dramatic effects of the polarity and phase of harmonics.
"First of all, what the hell have you been smoking?" — Magnus Danielson
A Voltage-Controlled Oscillator (VCO) that can gracefully go through zero Hz to negative frequency is useful for applications such as FM Synthesis and chaotic systems. It's also a difficult engineering challenge. My solution is a new oscillator topology.
The Doepfer A-100-6 Voltage-Controlled Oscillator is based on this article.
Some quick notes on a circuit I came up that can morph from a sawtooth to a triangle to a reverse sawtooth with a control voltage.
Dr. Edward Kelly, University of the Arts London, Wavefolding: Modulation of Adjustable Symmetry in Sawtooth and Triangular Waveforms, Proceedings of the International Computer Music Conference 2016
Juërgen Haible invented the interpolating scanner. I always appreciated it as an interesting building block for synthesis. This circuit is an alternate approach.
"I would like to thank Don Tillman. Based on my Interpolating Scanner idea, he created a very brilliant implementation of his own, which is more elegant than my first solution in several ways." — Juërgen Haible
Guitar Physics and Electronics Articles
Part 2: Response Effects of Guitar Pickup Mixing
Part 3: Pickup Response Demonstration
In an acoustic guitar, any vibration eventually works its way down the string, through the body, and out. In an electric guitar, the pickup only senses the string movement in one location along the string in a specific way.
These articles have been referenced in:
Paiva, Pakarinen, Välimäki, Acoustics and Modeling of Pickups, Journal of the Audio Engineering Society, October 2012.
Kirk McDonald, Princeton University, Physics Examples — Electric Guitar Pickups.
Mohamad, Dixon, Harte, Pickup Position and Plucking Point Estimation on an Electric Guitar , Journal of the Acoustical Society of America, 2017
An FET Preamp Cable
This is the original discrete FET guitar preamp circuit that has become known as the "Tillman Preamp".
It can also be phantom-powered and built into a 1/4-inch phone plug.
Electronic Music Articles
The Muse (with synchronized multiple Muses)
The Muse was a digital algorithmic music composer invented in 1969 by Marvin Minsky and Edward Fredkin at MIT. It was built with the digital logic circuitry of the day; gates, registers, and counters. Working units are extremely rare.
This is a software simulation of The Muse that runs in a browser.
"Muse in a browser, this is awesome folks!!" — Margaret Minsky
"This is so frigging great - possibly my favorite soft-synth" — numan7/muffwiggler
Don Lancaster created a variation of The Muse called the Psych Tone and published the project as the cover story in the February 1972 issue of Popular Electronics Magazine. Psych Tones are rarer than Muses.
So this is a software simulation of Don Lancaster's Psych Tone that runs on a web page.
ARP Synthesizers Patent Reviews
Mellotron/Chamberlin Patent Reviews
Back in the 90's, when IBM's Almaden Research Center scanned all the patents and made them available online, I searched through the patents for some of the major electronic music companies, studied them, and wrote up a lot of patent reviews. These included a description of the invention, why it was significant, what products used it, and their cultural impact.
Bored with audio oscillator waveforms? Me too. Here is a musically powerful palette of waveforms, including two that didn't have names before.
Replace a Rhodes Chroma power supply with a modern switching unit.
Mellotron resources, notes, projects, the Mellotronists mailing list and the tale of a restored M400 with Mike Pinder's autograph.
In the late 90's and early 00's I led a pompous dinosaur progressive art-rock band.
A handly guide to progressive rock music in the SF Bay area.
I was blogging for a while. 'Gave it up. I'd rather write articles.